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GLOBAL FUSION PIONEERS SHAKTI NOMINATED FOR TWO 2026 GRAMMY™ AWARDS

November 17, 2025
Abstract Logix, Souvik Dutta
Abstract Logix, Ganesh Rajagopalan, John McLaughlin, Shakti, Shankar Mahadevan, V. Selvaganesh, Zakir Hussain

Triumphant Valedictory Album Mind Explosion (50th Anniversary Tour Live) Recognized in the
Best Global Music Album and Best Global Music Performance Categories

More than half a century ago, Shakti was born of the brotherly love, visionary musicianship, and spiritual synergy that existed between tabla master Zakir Hussain and virtuoso guitarist John McLaughlin. Fifty years later, Shakti stands as a border-defying model of global fusion, influencing generations of musicians with an East/West hybrid so fluid and intuitive that it both encapsulates and transcends its component sources – creating the polyglot genre now called World Music in the process.

The group’s 50th Anniversary Tour in 2023 found the current Shakti lineup as vital, dynamic, and ambitious as ever, with founders McLaughlin and Hussain joined by vocalist Shankar Mahadevan, violinist Ganesh Rajagopalan, and percussionist Selvaganesh Vinayakram to perform selections from throughout the group’s history, including material from their 2023 studio release This Moment (their first studio album in nearly five decades), which received the 2024 GRAMMY™ award for Best Global Music Album.

Now, the audio souvenir of that tour – 2025’s Mind Explosion (50th Anniversary Tour Live) – has been recognized with two GRAMMY™nominations: Best Global Music Album and Best Global Music Performance for the track “Shrini’s Dream.”

MIND EXPLOSION

The acknowledgement is bittersweet, for in December of 2024, as the material for the live album was being gathered, Zakir Hussain passed away – bringing an end to Shakti, and leaving Mind Explosion as the group’s epitaph and Hussain’s final recorded statement. “I’m thrilled, and not for the first time,” said McLaughlin upon hearing of the honor, “that the listeners have expressed such affection and enthusiasm for Shakti by nominating us again for two Grammys.”

Mind Explosion (50th Anniversary Tour Live) was released digitally, on CD, and as a deluxe 2LP vinyl set on July 26, 2025 by the North Carolina-based Abstract Logix label. “This landmark release is offered in tribute and celebration,” explains label owner Souvik Dutta, who conceived, produced, and helped to manage the myriad logistical intricacies of Shakti’s 2023 world tour. “I felt it deeply important to acknowledge the fifty-year legacy of John McLaughlin and Zakir Hussain’s creative partnership – more akin to brotherhood than mere artistic collaborators. The magic they made together reached across cultural divides and, with joy, empathy, and curiosity as their guides, created an unprecedented new movement.”

Mind Explosion (50th Anniversary Tour Live) is the last word from Shakti – a kaleidoscopic summary of a journey spanning half a century, multiple continents, a veritable family of band members and enablers, and an unflagging commitment to dissolve boundaries, be they musical, linguistic, geographic, or political. In assessing the album’s GRAMMY™-nominated performance of “Shrini’s Dream,” All About Jazz noted that the composition was “an extended jam in honor of Mandolin Shrinivas,” then described how “sparks fly as McLaughlin solos feverishly over thunderous percussion. To great applause, Hussain and Selvaganesh solo in turn, before a konokol-cum-vocal passage culminates in soaring Mahadevan release.”

“Do not forget,” reflects McLaughlin, “that Shakti has been here since forever and will be here forever. Zakir Bhai has left us and I cannot continue without him – so ‘our’ Shakti is gone…but all it takes is love and dedication to music and ‘your’ Shakti will be born.”

Shakti – ‘Mind Explosion’

June 17, 2025
Abstract Logix, Shakti, Uncategorized
Abstract Logix, Ganesh Rajagopalan, John McLaughin, Shakti, Shankar Mahadevan, V Selvaganesh, Zakir Hussain

SHAKTI’S REVELATION OF ONENESS IN DIVERSITY CONCLUDES WITH THE RELEASE OF MIND EXPLOSION–RECORDED LIVE DURING THEIR 50TH ANNIVERSARY TOUR IN 2023

Boundary-defying quintet’s final recording honors departed co-founder and master percussionist Zakir Hussain with “our greatest achievement,” says fellow founding member John McLaughlin.

PREORDER ‘MIND EXPLOSION’

Shakti did not spend their fiftieth anniversary standing still, idly collecting laurels and accepting tributes for their decades of fearless musical alchemy. Instead, they acknowledged their vast influence with decisive action, recording their first new studio album in more than 45 years –the GRAMMY™ award-winning This Moment–and embarking on an extensive international tour that put them before audiences across India, Europe and the United States, complete with opening sets from longtime Shakti admirers Jerry Douglas, Béla Fleck, Bill Frisell, and John Scofield.

Just over a year from the tour’s conclusion, as preparations were underway for further Shakti performances,tragedy struck. “A curtain came down on a monumental part of my life on December 15th, 2024,” reflects co-founding guitarist and composer John McLaughlin. “After 55 years of countless concerts, recordings, travels, meals, and laughter together, my Indian Brother Zakir, departed.”

“The loss of Zakir is the end of this chapter,” McLaughlin continues, “but I am eternally grateful to Zakir, because he was there before the beginning of Shakti to the very end.” In recognition of Hussain’s immense contributions –not only as a percussionist and a friend but as a catalyst to greater human understanding through the universal language of music –Shakti’s remaining members have prepared one last offering: Mind Explosion: 50th Anniversary Tour Live, to be released by Abstract Logix on July 26, 2025.

Featuring the final Shakti lineup of McLaughlin (guitar, guitar synth), Hussain (tabla), vocalist Shankar Mahadevan, violinist Ganesh Rajagopalan, and percussionist Selvaganesh Vinayakram, Mind Explosionwas recorded throughout the 2023 tour, featuring expansive and invigorating explorations of material spanning the full length of Shakti’s existence –from “Lotus Feet” (heard on Shakti’s 1976 debut) to extended versions of This Moment’s “Shrini’s Dream” and “Giriraj Sudha.” An incredibly vital, riveting collection of performances, Mind Explosionis characterized by the same curiosity, hunger, virtuosity, and receptiveness present at the founding of Shakti in New York’s Greenwich Village in 1973, when McLaughlin began informally jamming with Hussain. “There wasn’t a first meeting,” Hussain recalled in 2023. “It felt like a reunion of long-lost brothers…”

That connective brotherhood and reciprocal enrichment extends to the Shakti’s present-day incarnation. “I think every single musician in India would have loved to be part of Shakti,” explains vocalist Mahadevan, who joined the group over twenty years ago. “I thank the almighty that I was the chosen one to be part of this group, with these maestros who are not only musicians –they are my gurus.”

Selecting material for Mind Explosionwas daunting, both in terms of emotional heft and sheer volume of possible choices: Most of the anniversary tour performances were recorded, leaving McLaughlin and co-producer Selvaganesh Vinayakramwith hours of music to review. “I listened to a number of shows,” McLauglin explains, “but I have to take my cap off to Selvaji, because he listened to many more than me and did an excellent job of filtering out shows with audio problems and finding those moments where the spirit was more present.”

McLaughlin is quick to identify the presence of an audience –many of whom were not born when Shakti made their initial forays into what eventually became known as world music –as a key elevating factor, lending fiery passages added intensity while bringing a profound resonance to more languid moments. Returning to this music, even in the wake of overwhelming loss, was as thrilling to the performers as it will be to listeners. “When you are performing every other night –sometimes everynight –you remember the particularly great nights for a day or two, but they are quickly swallowed up by the new performances,” says McLaughlin. “So, when you finally listen to the recordings months later, the surprises can beeven more than delightful.”

The last word on an incredible legacy, Mind Explosionis more than a celebration of Zakir Hussain’s seemingly endless capacity for innovation, joy, and love –it is a tribute to the camaraderie, dedication, and seismic passionbehind one of modern music’s most influential and uncategorizable outfits. “What else can epitomize the history of Shakti if not the final live recording?” McLaughlin asks. “The title Mind Explosionis very close in meaning to the Sanskrit word nirvana–mind blowing in the sense of overwhelming bliss or ecstasy. Now that the album is completed, I find the title to be absolutely appropriate: The music is heartfelt, deliriously joyful, and masterly all at the same time. It is our greatest achievement.”

“For me,” Mahadevan echoes, “the music of Shakti is an amazing combination of soul, complexity, precision, and high level of musicality. It was like being in a musical university of life.“

“I have had quite a number of musical formations, some of them truly outstanding in my career,” McLaughlin reflects –looking back on a journey that includes not only his own classic solo albums and epochal recordings and performances with his Mahavishnu Orchestra but also trajectory-altering forays alongside Miles Davis,Tony Williams, Carlos Santana, Al Di Meola, Paco De Lucia, and others. “But,” he concludes, “Shakti stands above all of them.”

PREORDER ‘MIND EXPLOSION’

Song List

  1. Kiki (9:09)
  2. Giriraj Sudha (15:08)
  3. Lotus Feet (7:35)
  4. 5 in the Morning, 6 in the Afternoon (8:30)
  5. Sakhi (4:45)
  6. Shrini’s Dream (12:25)

Musicians and Personnel

John McLaughlin (Guitar, Guitar Synth)
Zakir Hussain (Tabla, Konokol)
Shankar Mahadevan (Vocals. Konokol)
Ganesh Rajagopalan (Violin, Konokol)
Selvaganesh Vinayakram (Kanjira, Mridangam, Ghatam, Konokol)

Produced by John McLaughlin
Co-Produced by Selvaganesh Vinayakram
Executive Producers: Shweta & Souvik Dutta

Recorded during Shakti 50th Anniversary Tour 2023
Mixed at Eastcote Studio London. Engineer. George Murphy
Mastering Engineer: Scott Kinsey

Recording Engineer: Sven Hoffmann
Monitor Engineer: Mujeeb Dadarkar

All works by John McLaughlin published by Buma/Stemra. 
All works by Zakir Hussain published by Precious Time Publishing/ASCAP. 
All works by Selvaganesh Vinayakaram published by BMI. 
All works by Shankar Mahadevan published by ASCAP.

Album Artwork: Togetherly
Publicity: Mad Ink PR
Copywriter: Brad San Martin

‘THIS MOMENT’ AWARDED WITH GRAMMY

May 7, 2024
Abstract Logix, John McLaughlin, Shakti, Shankar Mahadevan, Uncategorized, V Selvaganesh, Zakir Hussain
Ganesh Rajagopalan, John McLaughlin, Shakti, Shankar Mahadevan, V Selvaganesh, Zakir Hussain

HERE SHE IS.

IN PERSON.

IN WOOD AND METAL.

OUR TROPHY.

WITH YOUR HELP.

ONE FOR THE AGES.

FOR THE MUSIC.

THE BRIDGE BETWEEN CULTURES.

FOR COMING TOGETHER.

THANK YOU TO ALL THE MUSIC FANS.

Make sure you take this piece of history home with you – head to our store and get your copy of the historic, Grammy-winning double vinyl album ‘This Moment’.

GRAMMY™ NOMINEE FOR BEST GLOBAL MUSIC ALBUM – SHAKTI’S ‘THIS MOMENT’

December 17, 2023
Abstract Logix, Bela Fleck, John McLaughlin, Shakti, Shankar Mahadevan, Uncategorized, Zakir Hussain
Abstract Logix, Bela Fleck, Ganesh Rajagopalan, John McLaughlin, Selvaganesh Vinayakram, Shakti, Shankar Mahadevan, world music, Zakir Hussain

Nomination follows rapturously received 50th Anniversary World Tour featuring original group co-founders John McLaughlin and Zakir Hussain

Shakti, the recently reconvened global fusion trailblazers, have been nominated for the 2024 GRAMMY™ Award for Best Global Music Album for This Moment – the group’s first new studio album in more than 45 years, released on June 30, 2023, on the Abstract Logix label. “After our most successful tour ever of three continents, Shakti gets a GRAMMY nomination for our album This Moment…” reacted to co-founding guitarist and composer John McLaughlin. “We are thrilled and delighted beyond words.”

“Our 2023 world tour celebrated 50 years of love and beauty,” Zakir Hussain adds. “Congratulations to my longtime brother in the music, John McLaughlin, and to our brilliant bandmates Shankar Mahadevan, Selvaganesh Vinayakaram, and Ganesh Rajagopalan.”

Shakti recently concluded their triumphant 27-city 50th Anniversary Tour, which featured 17 U.S. performances with opening sets by longtime admirers Jerry Douglas, Bill Frisell, Béla Fleck, and John Scofield. Highlights of the tour – during which the thrilling cross-cultural musical ideas first broached on This Moment was further explored and expanded – included a performance at Nashville’s historic Ryman Auditorium (captured and released as a limited live stream) and a riveting appearance on NPR’s popular Tiny Desk Concerts program. 

Shakti was formed in 1973, as McLaughlin sought deeper musical fulfillment following the success of his immensely influential and successful jazz/rock fusion outfit The Mahavishnu Orchestra. A Greenwich Village music shop owner connected McLaughlin with tabla virtuoso Zakir Hussain, who had been performing with giants of Hindustani music since he was a child. Their initial informal encounters grew into Shakti, an outfit that transcended the boundaries separating Eastern and Western music via dynamic virtuosity and spiritual openness. Over the succeeding decades, Shakti’s powerful albums and tours established them among the key architects of what is today called “World Music,” inspiring generations of musicians to discard arbitrary borders in search of fruitful musical hybrids. “They were a revelation,” recalls Béla Fleck.

Today’s Shakti, as experienced in concert in 2023 and on This Moment, is composed of McLaughlin (guitar, guitar synth), Hussain (tabla), vocalist Shankar Mahadevan, violinist Ganesh Rajagopalan, and percussionist Selvaganesh Vinayakaram. “Shakti is truly a pioneer in the concept of world fusion,” explains Mahadevan, “where music knows no boundaries and comes together most beautifully from different genres. I am so privileged to be with the greatest maestros – the most evolved musicians that I have ever met.”

“The greatest thing we wanted to celebrate with this album was that it’s considered for Best Global Music Album and not any other category,” said percussionist Selvaganesh Vinayakaram, son of original Shakti member, Carnatic music legend Vikku Vinayakaram, in an interview with Rolling Stone India. “That means this group has that global music value.” 

“How apt to have the band who created this genre of ‘World Music’ be nominated for this honor on their 50th anniversary,” reflects Souvik Dutta – who was inspired by Shakti to found Abstract Logix twenty years ago. “They are the ultimate global band – the brotherhood of John and Zakir uniting in music to bring the world together.”

“This Grammy nomination,” concludes Ganesh Rajagopalan, “is a testament to the evergreen quality of the music of Shakti.”

GLOBAL FUSION ALCHEMISTS SHAKTI ANNOUNCE NORTH AMERICAN TOUR

February 13, 2023
Abstract Logix, Bela Fleck, John McLaughlin, Shakti, Shankar Mahadevan, Zakir Hussain
Abstract Logix, Bela Fleck, Ganesh Rajagopalan, John McLaughin, Selvaganesh Vinayakram, Shakti, Shankar Mahadevan, world music, Zakir Hussain

Co-Founders John McLaughlin and Zakir Hussain Lead Current Lineup On First U.S. Tour In 16 Years

With Special Guests Béla Fleck, Bill Frisell and others on select shows

More dates and special guests to be announced at a later date.

Feb 6, 2023: Following word of the Summer 2023 release of This Moment – their first new studio album in 46 years – revolutionary world music ensemble Shakti will continue to discover and explore the musical common ground bridging East and West on an extensive U.S. tour, beginning August 17 in Boston. Born in the mid-1970s out of the deep artistic and spiritual connection bonding British guitarist John McLaughlin and Indian tabla player Zakir Hussain, Shakti’s cross-cultural musical conversation dissolved boundaries with uncommon passion, grace, and dexterity – awakening subsequent generations of musicians to the possibilities of such hybrids in the process. Alongside McLaughlin and Hussain, today’s Shakti features renowned vocalist Shankar Mahadevan, violinist Ganesh Rajagopalan, and percussionist Selvaganesh Vinayakram (son of original Shakti ghatam player T.H. “Vikku” Vinayakram).

Looking ahead to the performances, McLaughlin equates the endeavor to a homecoming of sorts. “Shakti was born in the USA in 1973,” he reflects, “and is also no stranger to American audiences. We’ve played concerts all over the US from coast to coast and north to south – and everywhere we’ve played, we’ve had wonderful audiences.”

Joining Shakti on more than half of the dates will be another performer dedicated to intermingling and transcending genres, Béla Fleck, who will open the performances with a solo set. “Hearing Shakti was a revelation and I started listening right when they started,” Fleck recalls. “Something about Shakti, and also making music with Zakir, was very relatable – perhaps akin to the acoustic guitar and fiddle. But it wasn’t until playing with Zakir and Edgar Meyer [on 2009’s Melody of Rhythm: Triple Concerto & Music for Trio] that I started having more of a sense of what they were up to. Keeping in mind the virtuosic and energetic level of the band, I’ll be attempting to create a solo set that mesmerizes and excites.”

In addition, renowned guitarist Bill Frisell will also be opening the Shakti concerts with solo sets on certain selected dates.

“Béla Fleck and Bill Frisell are both truly fine musicians whom I’ve admired for decades,” McLaughlin says.

With the recording of their new studio album now complete, the members of Shakti now await the opportunity to continue their pan-global dialogue. “In our initial incarnation,” Zakir Hussain concludes, “we did not always have the time nor the means to explore. Now, with the decades of individual musical experiences we all have poured into this, the result reveals an extraordinary depth and level of interaction within this band.”

Preliminary USA Tour Dates

Show Date  Venue                                                  City, State

8.17.2023 Wang Theatre at Boch Center                  Boston, MA ***
8.19.2023 The Capitol Theatre                          Port Chester, NY ***
8.20.2023 Prudential Hall                                  Newark, NJ *
8.22.2023 Keswick Theatre                                  Glenside, PA
8.23.2023 Wolf Trap                                          Vienna, VA *
8.25.2023 Cobb Energy Performing Arts Center  Atlanta, GA ***
8.27.2023 Koka Booth Amphitheatre                  Cary, NC *
8.29.2023 Palace Theatre                                  Columbus, OH *
8.31.2023 Ryman Auditorium                                  Nashville, TN ***
9.3.2023         Ravinia Festival                                  Highland Park, IL *
9.5.2023         Arlene Schnitzer Concert Hall                Portland, OR ***
9.6.2023        Paramount Theatre                                 Seattle, WA *
9.8.2023        Mondavi Center for the Performing Arts Davis, CA **
9.9.2023        Davies Symphony Hall                          San Francisco, CA
9.11.2023 Irvine Barclay Theatre                          Irvine, CA
9.14.2023 Hill Auditorium                                  Ann Arbor, MI *
9.16.2023 H-E-B Center                                          Austin, TX *

*with Bela Fleck
**With Bill Frisell
***TBD

  • ** w/ Bill Frisell
Shakti

World Fusion Pioneers- John McLaughlin and Zakir Hussain mark 2023 return with Shakti 50th anniversary album and world tour

May 18, 2022
Featured, Featured - John, News

World Fusion Pioneers- John McLaughlin and Zakir Hussain mark 2023 return with Shakti 50th anniversary album and world tour

Shakti

An unprecedented, transcontinental collaboration, Shakti united eastern and western musicians, and in the process forged the template for what is now called “world music.” From the West came virtuoso British guitarist John McLaughlin, who re-wired jazz via his work with Miles Davis and the Tony Williams Lifetime. From the East came visionary tabla player Zakir Hussain, who had accompanied legendary Hindustani musicians from adolescence. A music shop owner in New York City’s Greenwich Village connected the two in 1969, sowing the seeds of what was to become Shakti. “There wasn’t a first meeting,” Hussain recalls today. “It felt like a reunion of long-lost brothers…”

In 1973, McLaughlin stunned the music industry by walking away from the Olympian popularity and acclaim of his pioneering jazz/rock ensemble, the Mahavishnu Orchestra. Something else was calling out to him – a music that reflected his evolving spiritual practice while feeding his insatiable hunger to converse, communicate, and explore.

With Hussain, violinist Shankar, and ghatam player T.H. “Vikku” Vinayakram, McLaughlin founded Shakti. “For me,” McLaughlin reflects, “it was an imperative that Shakti become my permanent group after the Mahavishnu Orchestra.” Together they honed an ecstatic new fusion, blazing uncharted pathways and demonstrating the potential of such global composites to generations of musicians around the world.

Now McLaughlin and Hussain are preparing to resume their journey – joined by percussionist V. Selvaganesh (T.H. Vinayakram’s son), vocalist Shankar Mahadevan, and violinist Ganesh Rajagopalan – for an album of new compositions and a world tour marking Shakti’s 50th anniversary. Today’s Shakti honors the legacy of the original band by acknowledging their tradition while continuing to push beyond existing boundaries into new musical landscapes. “It’s really a thrill,” McLaughlin says of Shakti’s 50th anniversary plans. “I’m delighted to be part of this marvelous tradition of the Shakti group.”

Stay tuned over the next couple of months on album release date, tour schedules, support acts, special guests and much more.

Reach out to Shakti management with any inquiries via http://eepurl.com/h2flTH

Krantz Carlock Lefebvre

Wayne Krantz goes on tour exactly two years after the start of the pandemic

February 21, 2022
General, News, Wayne Krantz
Wayne Krantz, What's New

After their world tour during January and February 2020, right before the pandemic, KCL, the iconic, genre-bending powerhouse trio featuring guitarist Wayne Krantz, drummer Keith Carlock and bassist Tim Lefebvre is returning with a string of dates to kick off their “Golden Days” world tour, starting in New York City on Feb 18 at The Bitter End.
Cutting live recordings from the club and posting them online in the early days of the internet and touring only sporadically, KCL developed a thoroughly original style of interactive group improvisation inspired in part by the great Miles Davis Quintet of the 60s but played out in spontaneously generated contexts of heavy funk, rock, and electronica instead of straight-ahead swing.
As other instrumental bands of the day dabbled in derivative fusion and retro-jazz, KCL became an underground phenomenon, cultivating an international following of devoted fans of every stripe looking for an alternative creative music that served the mind, body, and spirit. Relentlessly grooving, always innovative, never complacent – KCL made contemporary music that resonated beyond category.
Other sideman obligations sidelined the band soon after their Abstract Logix release, “Krantz Carlock Lefebvre,” in 2010, but their reputation continued to expand globally through fan circulation of the band’s many live videos and recordings. Now, in 2022, KCL re-ignites to tour with incendiary shows in the USA, and in Europe and Asia later in the year.

  • TOURDATES
    February 18, The Bitter End, New York City
  • February 19, The Bitter End, New York City
  • February 20, Ardmore Music Hall, Ardmore, PA
  • February 21, City Winery, Boston, MA
  • February 23, Dazzle, Denver, CO
  • February 24, Reggies, Chicago, IL
  • February 25, Bop Stop, Cleveland, OH
  • February 26, Jammin Java, Vienna, VA
  • February 27, The Lincoln Theatre, Raleigh, NC
  • March 1, City Winery, Nashville, TN
Vinnie Colaiuta

Podcast with Vinnie Colaiuta and John McLaughlin

June 23, 2021
John McLaughlin, News, Vinnie Colaiuta
John McLaughlin, Vinnie Colaiuta


Bandcamp

Vinnie Colaiuta invited one of the most influential guitarists of our time, John McLaughlin in his podcast Breakfast with Vinnie.

A living legend of improvised music, with a career now spanning more than five decades, John McLaughlin opens his heart about how music has been a primary focus of his life and about his wonderful journey till now. He also discussed about his new album, “Liberation Time”, which is all set to release on 16th July, 2021 on Abstract Logix.

To listen to the entire podcast click here: https://breakfastwithvinnie.com/episodes?fbclid=IwAR1ZGKd_Ad_z71j4uyIWYKTkJgvRp3jvq_C7IEVeC92YQSXNkgWMf0KyIe8

John McLaughlin

John McLaughlin covers Straight No Chaser by Thelonious Monk for India fundraiser

May 7, 2021
John McLaughlin, News
John McLaughlin

AN URGENT PLEA FROM JOHN McLAUGHLIN:
Guitar icon releases exclusive video to raise awareness and funds for COVID relief in India, asking all to donate to Project Hope today.

John McLaughlin has made no secret of the musical and spiritual debt that he owes to the people and nation of India. Whether explicit (the unprecedented east/west hybrid of his beloved Shakti ensemble) or implicit (the daring rhythmic structures he transmitted via the Mahavishnu Orchestra), India has exerted a gravitational pull on McLaughlin’s life and music, and his gratitude is boundless.

Now, with India suffocated by a rampant outbreak of the deadly COVID-19 virus, McLaughlin is asking all of us to give just a little in support of relief efforts there. To encourage donations to the global health and humanitarian organization Project Hope (www.projecthope.org) — who are providing essential supplies and personnel to the Indian people — he has gathered a group of musician friends in Monaco to film an exclusive version of Thelonious Monk’s immortal blues “Straight No Chaser.” This fiery performance is his humble offering, a beacon beaming out to his many admirers with the hope of helping to offset the terrible blight now ravaging India.

Captured live, the performance features McLaughlin alongside pianist Roger Rossignol, bassist JM Kiki Aublette, and drummer Nicolas Viccaro, investing Monk’s timeless, knotty blues theme with an innovative spark and infectious abandon. Through his improvisation, alternately soaring and keening, McLaughlin delights in paying tribute to Monk’s deft rhythmic constructions and cunning use of dissonance. His compatriots are with him at every step, resulting in a conversational, refreshingly human treatment of this timeless standard.

“The world is in dire straits,” McLaughlin implores, “but India is just catastrophic: People dying outside hospitals because there are no beds, there is no oxygen. We recorded this video thinking of them. It is our gift to you in the hope that you will make a small gift.”

John McLaughlin

John McLaughlin announces new album Liberation Time

April 28, 2021
John McLaughlin, News
John McLaughlin

Preorder the album | Get Free download

Bandcamp

Recorded remotely during lockdown, new album examines the pandemic era with a provocative mix of catharsis and reflection.

A living legend of improvised music, with a career now spanning more than five decades, John McLaughlin is no stranger to translating tumultuous moments into compelling, thoughtful audio art. Witness his searing contributions to Miles Davis’s infamous Jack Johnson sessions, the explosively pioneering rock/jazz hybrid he helped create as a member of the first edition of Tony Williams’s “Lifetime”, or the expansive explorations encompassed by his own music — be it the rhythmic revolution of the Mahavishnu Orchestra, the unprecedented east/west fusion of Shakti, or the thrilling telepathic interplay his current outfit, the 4th Dimension.

With his newest album, “Liberation Time”, McLaughlin draws from one of humanity’s most fraught, uncertain epochs to produce music that gracefully reflects the uncertainty, vulnerability, and slowly awakening joy of our times. A direct response to the mandated restrictions imposed by the spread of Covid-19, the album is — unusually for McLaughlin’s recent projects — not the work of one fixed ensemble. With physical proximity no longer a prerequisite, McLaughlin drew upon decades of experience as a bandleader to select musicians best suited to each composition.

“As the Spirit Sings” introduces the album by contrasting churning rhythmic tension (stoked by drummer Vinnie Colaiuta and bassist Sam Burgess) with McLaughlin’s soaring guitar figures — all underpinned by Gary Husband’s subtle, supportive piano. The knotty post-bop figures of “Right Here, Right Now, Right On” mark one of the most jazz-inflected performances McLaughlin has laid down in some time, featuring Nicolas Viccaro (drums), Jerome Regard (bass), Julian Siegel (tenor saxophone), and Oz Ezzeldin (piano). The sense of brotherhood that bonds McLaughlin’s current 4th Dimension ensemble (McLaughlin, Husband, bassist Etienne Mbappe, and drummer Ranjit Barot) is on full display during “Lockdown Blues,” a playful refraction examination of blues tropes first released last summer to benefit the Jazz Foundation of America.

With vaccination campaigns now in full effect and a more promising tomorrow coming into view, “Liberation Time”’s title track can be felt as visceral anticipation — a rousing glimpse into an unbound future rich with possibilities. And while much of Liberation Blues revels in the sort of spontaneous interplay that has been denied by Covid restrictions, some of the album’s most touching moments feature McLaughlin alone at the piano — an instrument he has not recorded on since his 1973 collaboration with Carlos Santana, “Love Devotion Surrender”. 

“Liberation Time” is a product of its times, and yet it looks both forwards and backwards — at once drawing upon memories of better days yet reaching for a new dawn. Looking back at the album’s transcontinental sessions, McLaughlin concludes, “The wonderful thing about music is that you put the headphones on and you are all in the same room.”

Oz-noy-facebook-live-at-the-iridium

Oz Noy: Live from New York

March 17, 2021
News, Oz Noy
Oz Noy

Abstract Logix recording artist Oz Noy will be doing a live broadcast from The Iridium on Wednesday, March 17, 2021 from 4 p.m. with his Organ Trio featuring Brian Charette on organ/keys and Gene Lake on Drums.

Watch it live on The Iridium Facebook Page

Wayne Krantz

Wayne Krantz 1985

February 21, 2021
Featured, Wayne Krantz
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Wayne Krantz unearths Music Room 1985 – The Thrilling Lost Solo Debut
from Guitar Iconoclast.
Previously unheard one-man recordings to be released on March 19, 2021 by Abstract Logix.

Few musicians invest so much in the moment as guitarist Wayne Krantz, whose career has been defined by a fearless embrace of risk and a willingness to charge headlong into uncharted terrain — testing himself and thrilling an ever-growing legion of dedicated, adventurous listeners. Existing in a state of relentless forward motion, Krantz rarely has the time or inclination to look back, which makes the emergence of the newly rediscovered 1985 recordings gathered as “Music Room 1985” all the more extraordinary.
To be released on March 19, 2021 on the Abstract Logix imprint, “Music Room 1985” was laid down by Krantz alone in a Reseda garage studio in the summer of 1985, with Krantz handling all the compositional and instrumental duties himself. Its six tracks predate his first solo album by five years. Not long after committing a final mix to tape, “Music Room 1985” was left behind — a victim of the machinations of the music industry and Krantz’s own rapidly accelerating career as both a bandleader and a hired gun. Even Krantz himself didn’t manage to hang on to a copy.
When reminded of the project in 2020, he reached back through his contacts and unearthed a safety copy in a now-obsolete media format. With much legwork, playback was achieved and a high-resolution transfer was made. As evidence that Krantz’s singular talent was already well established even at this early stage, “Music Room 1985” is entirely convincing. Simply as an album of music long lost to time and now only being heard, it is staggering, offering an entirely unique brand of agile, intelligent instrumental pop defined by taught rhythms and insidiously infectious melodies. Every snarled rhythmic figure is offset by soaring melodic gestures and pensive, reflective spaces.
“It wasn’t based on anything happening at the time,” Krantz says. “I was already on a contrary path and “Music Room 1985” was my version of ‘alternative’: jazz / instrumental music that worked more like pop, melody-centric with verses, bridges, hooks and few solos.”
While he reached back to these recordings out of his own curiosity, Krantz quickly realized that “Music Room 1985” has value not just as a snapshot of his journey’s progress at that moment, but in and of itself. “It held up,” he says on the eve of the project’s first release — to which no re-recording or remixing has been done. “The sounds on it aren’t very trendy, so it doesn’t sound too dated to be relevant. It’s fun to listen to: it still has the vitality, mojo, and integrity that initially made it sound good.”

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